![]() The construction of each of these bones was a perfect fourth apart (though the reading has always been in C, rather than transposed). After some early introductions of the instrument into the orchestra by Baroque and Classical composers, the Romantics settled on a group of three trombones, the alto, tenor, and bass trombones. For that, read on!įirst, let’s go back to the modern orchestral trombone’s beginnings. The average orchestrator may just stop right here and move on – but that won’t really give them any justifications for accepting the above advice in an argument, nor the tools for using it in a knowledgeable way. The tenor clef remains a useful resource for trombone, but it must be applied as an indication of register, rather than just to save ledger lines. ![]()
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